There's a pretty terrific bit where a rescue worker is trapped in a tunnel thanks to a cave-in, only to be "saved" by a crawler, digging a hole to get at her - there must be a "stuck between a rock and a hard place" joke in there, right? And while it's hard to top Sarah hiding in a pool of blood, the equivalent moment is admirably gross once Harris reveals the source of the liquid they're submerging themselves in (it ain't blood).
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Harris may not be the expert craftsman Marshall is, but he still stages some pretty nifty sequences, and the movie rarely bores once they're in the caves (it takes about 25 minutes for them to get back below, which is still better than the test screening version where it was closer to 40). My only real complaint regards the stupid final scene, but since we never got the third film it seemed to be setting up, it's easy enough to ignore now. Luckily, if that were the case, it'd still be a pretty entertaining movie. One of the rescue workers has a daughter that she is afraid of leaving behind, so that gives Sarah another layer, but otherwise, without this surprise return, the movie would just be a monster-fest.
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Plus it allows the film to retain some of the original's emotional center, which was obviously not as prominent - Sarah's tragedy had been dealt with, and she had settled her beef with Juno, so there's not much left to her story. It's easy to roll your eyes at it, but if you watch the original you'd see their "death" was left ambiguous, and so it's not really all that far-fetched. Even more interesting is that the bodies of some of the friends are found, which gives the film one of its ickier and more terrifying sequences - our new characters have to use Sam's body, still hanging over a large chasm, to get across.Īnd there's one other returning character, probably spoiled by now (on the DVD's deleted scenes, we see the film originally had a full opening title sequence that it now lacks, which also gave it away) but if not I'll refrain from revealing who it is. And not just because it picks up directly the video camera is found and provides us with new footage of the original cast (who all returned just to shoot these little scenes), as well as a reprise of one of its best scares (followed by Harris' own take on the same idea, which works pretty well). One thing that I really appreciated about the movie was that it really was a "Part 2", in that apart from the earlier retconning (which is explained on the commentary, there was a real reason for it but it got lost along the way) it strongly connects to the first. As you can expect, the crawlers show up, and things don't turn out too well for the bulk of the cast. So Sarah - who is in shock and can't remember what happened just yet - is forced to join a couple of cops and some rescue workers and head down to the caves, in hopes that her memory will be jogged and Juno can be found. Turns out Juno, the friend who was screwing Sarah's husband (and inadvertently to blame for her family dying), is the niece of some politician and thus the local police are very keen on finding her and the other missing girls.
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Taking cues from both Aliens and Halloween II, the sequel picks up right where the first left off, albeit with some minor retconning regarding how Sarah (Shauna MacDonald) got out of the cave system*. I saw it at a test screening in the summer of 2009 back when Lionsgate was seemingly planning on a theatrical release (it was even on 35mm!), but in a day its DTV fate might have been a good thing - expectations would be lowered, and folks could be even more impressed. So I must hate 2009's The Descent: Part 2, right? Marshall only returned as a producer with the original film's editor Jon Harris taking over directorial duties, the cast was typically split between men and women (unlike the first film's all-female approach), and really, how much more could they milk out of this concept? Well, it's not a perfect film by any means, but considering how high the bar had been set by the original and that it was from an editor making his first (and, of this writing, last) directorial effort, it's amazing that the film is even good enough as background noise, let alone a solid followup. It's scary, suspenseful and gory - most horror films don't even try to accomplish all three, and far too many have enough trouble managing to work in even one of those areas. As I've said in the past, the movie is pretty terrifying even before the crawlers show up, thanks to the claustrophobic setting and the jump scares revolving around the accident that claimed the lives of our heroine's family. There aren't many modern horror films I respect more than Neil Marshall's The Descent - it's pretty damn close to a perfect exercise in scaring an audience.